Diving Into Inquiry with Trevor MacKenzie

Field trips are great at any level of schooling. They let you take what you’ve been learning and see how it applies in a real-world setting. Our trip to Trevor MacKenzie’s English classroom in Oak Bay High School was no exception to this; we’ve been discussing inquiry-based learning in our Education classes for about a month and a half now, but (other than the flex classes I’ve observed) haven’t really seen the practice in action at the high school level.

Trevor’s class is designed around inquiry. He has graphics on the walls to make the inquiry process clear to his students, and even the room itself, which has a transparent garage door that is always open, reflects his open approach to learning. Spending the afternoon discussing inquiry-based learning and asking questions about the logistics of implementing it really helped me wrap my head around how I might begin to develop a class with inquiry as its focus. By recording details of my time there, I hope to illuminate the process of creating an inquiry-based classroom for others. Graphics in this blog post are from Trevor’s book, Dive Into Inquiry.

Trevor explained his path to free inquiry as a scaffolded approach where he does a gradual release of responsibility. In the first quarter of the year, he designs topics and inquiries, bringing in resources that will help the class form an answer together. This year, his first inquiry is “what are stories and why are they important?” In the second quarter, he will begin to release some responsibility to his students, allowing them to have some control in the inquiry process. They are given even more responsibility in the third quarter, choosing an inquiry topic off a list and creating their own assessment piece. Finally, in the final quarter of the year, Trevor allows students to choose their own inquiry topic and their own assessment piece.

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We were shown examples of student learning that evolved from his Free Inquiry unit, and they were impressive. At first glance, some of the projects didn’t seem to have much to do with English literature; however, once Trevor explained that students all wrote a personal narrative essay along with handing in a final project, it was clear that his students were still meeting the learning standards, and in many cases, exceeding them. He shared inspiring stories of seemingly unengaged students who stepped up to the plate when they were allowed to pursue topics that they were passionate or curious about, or (in the case of students who haven’t yet discovered a passion) who were allowed to work toward a specific goal or challenge.

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One thing that struck me about Trevor’s English class is how it so naturally became a cross-curricular environment. We know that not all students in English are going to become English majors, and that not all Science students will become Science majors, &c. Why, then, would we try to make our teaching subject “pure” in the sense that it doesn’t spill over to other subjects? Life is by its very nature cross-curricular. If a student wants to be a mechanic, shouldn’t we support that endeavour to some extent in every subject? By allowing students to pursue whatever they want in the Free Inquiry unit, they can tie English to other areas, thereby becoming more engaged with their assignment and producing work that is meaningful to them, often of a higher quality than an assigned piece.

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The graphic above is the project proposal that Trevor uses in the last quarter of the year. He goes over each proposal and discusses the assessment criteria with each student so they have a clear idea of what they are working towards. Near the end of the year, Trevor gives lots of free time for students to work on their project in class. If they are unable to complete work in class, he asks to see regular proof of learning (via video, blog, or another medium); as he pointed out to us, just because a student isn’t in class, doesn’t mean learning isn’t happening.

Students are engaging with a variety of literacies when they pursue their own topics: digital, inter- and intrapersonal, oral, physical, and more. Digital literacy in particular is something that Trevor takes time to discuss with his class, as it’s a huge part of today’s world. All of his students have blogs, and they discuss creating a professional online presence as well as networking and finding good sources (all of which are built into the above proposal graphic). The diversity of literacies is nicely on display in the final projects. To see examples of student work in his Free Inquiry model, visit Trevor’s blog.


Takeaways from Trevor MacKenzie’s Class:

(1) More freedom requires more support. Scaffold so that students aren’t thrown into the deep end of Inquiry. Model the approach as a class before gradually releasing responsibility, and always be there to help them.

(2) Develop relationships with your students. You can’t personalize learning if you don’t know your students as people. Figure out what they are interested in by assigning short writing assignments (e.g. “What are you passionate about?”), by conducting short interviews (e.g. “Where do you want to be in three years?” “What are your hobbies?”), or by bringing in resources that may spark curiosities. Then allow students to pursue those interests in their assessment pieces.

(3) Don’t limit your students to typical topics for your subject area. Allow them to ask questions about anything they are interested in, and if you are uncomfortable assessing a piece, involve professionals or other teachers in your school. Embrace the cross-curricular nature of student inquiry.

(4) Frontload the curricular learning objectives so students have time to pursue their own projects in Free Inquiry.

(5) Bring attention to the different skills and literacies that the students are engaging with at each step of the Inquiry process. Spend time discussing digital literacy and helping students navigate the internet in a professional way. Be willing to see certain skills manifest in unexpected ways (e.g. communication skills may be represented in video rather than an essay format).

EdCampVic

On October 15, 2016, I attended EdCampVic with many other preservice teachers. It was such a neat way to interact with a variety of experienced education professionals, from K-12 school teachers, to EAs, to university professors, and beyond. EdCamp is an “unconference,” set up in a democratic way so that attendees can suggest and vote for topics of discussion. There are no papers or presentations given in the sessions; instead, a facilitator simply introduces the topic and opens the floor up for discussion.

 

The only keynote was the fabulous Shelley Moore, who joined us first thing in the morning to talk about inclusion. The main takeaway from her talk was this: include supports in education that benefit all students, all the time. Don’t require students with learning exceptions to have to seek out those supports, or have to prove they need them, and definitely don’t make them feel bad for needing them. If you haven’t seen Shelley Moore talk before, please watch this video. She is a highly engaging speaker, and the audience was both captivated and inspired by her.

We then broke out into sessions for the remainder of the day. The session that I was impacted by the most was Re-envisioning Student-Centred Learning: Imaginative Education and Involvement. It’s a wonderful thing to see a packed room full of educators who all want the same thing: to engage their students. We talked about encouraging inquiry, about using students’ imagination to reach higher-level thinking, and about involving student reflection in a variety of ways. A couple points really stood out to me in this session. Unfortunately, I’m not sure who said the first one, which is that “if [students] aren’t engaged, then it’s not student-centred.” We need to be able to adapt our teaching methods to each of our students’ unique needs, abilities, and interests if we are truly going to provide student-centred teaching. The second point was by Trevor MacKenzie, a high school English teacher in Victoria, who asked us, “what are you doing in the first weeks of class to empower your students?” One thing I’m realizing is that it’s worth taking extra time at the beginning of a course to involve students in the development of the course. Students need to feel that they are valued by the teacher from Day 1. They need to be involved in discussions and feel that they can ask questions. They need to have some control over what their assessment pieces will look like. If students are empowered, they will participate and produce meaningful work.

I’m really glad I attended EdCampVic, and I look forward to attending the next ones (and maybe checking out EdCamps in other cities, too!). I left feeling hopeful about my future as an educator, and excited to try out new methods in the classroom.

 

Operation Passion Project

For one of my classes this term, a major assignment is to create a Passion Project (i.e. to learn about and do something you feel passionately about) and record your progress. Initially, I struggled with coming up with a project. During my M.A., I let a lot of my hobbies fall away, to the point that if someone were to ask me what I do for fun, the best I could say was “hanging out with my dog.” So, when confronted with this project, I asked myself, “If I could have more time to do something I enjoy, what would that something be?” After some thought, I decided that I would like to make more things. My Passion Project is to embark on a DIY adventure. I hope to learn some new skills and find some DIY resources that I can continually return to in the future. I also hope to form the habit of taking time for activities I enjoy, prioritizing my mental health as I do so.

So, what will I make? I have a few ideas, but I don’t intend to make a checklist. I’d prefer to embrace this project in a more spontaneous way, as spontaneity is itself a challenge for me (being someone who feels much more comfortable with a plan). I simply aim to make things. To allow myself to feel inspiration and pursue it.

I identify wholeheartedly as a materialist. I appreciate the current trend of minimalism, but I know I could never embrace it. I LOVE material objects. I especially love them if they are one of four things: they are innovative or unique, they have sentimental value, they exist purely for aesthetic pleasure, or they are handmade made with love. When I can produce such objects, I feel great satisfaction. I also enjoy challenging myself to learn in new ways. Most of the talents I’ve cultivated are academic, so other areas may be wanting. What I lack in skill, though, I (sometimes) make up for in stubbornness. Here’s hoping, anyway.

I will post my projects and progress under the “Passion Project” heading of this blog for those who would like to follow my DIY journey or replicate any of the projects I create.

 

Orange Shirt Day

Orange Shirt Day takes place on September 30th and is a day set aside to remember the Residential School System, the atrocities that happened there, and the consequences that are still in effect today. While the custom is to wear an orange shirt to show support and respect, two classes at Reynolds High School went even further. Social Justice 12 and Art 9 collaborated to create braided bracelets for every member of the school, both students and staff. Every bracelet was adorned with a single orange bead, each meant to represent a soul affected by the Residential School System. I had the fortune of watching these two classes pair up on their first day of bracelet-making, and it was a truly heartwarming experience. I’d like to briefly outline some of the things I observed about this collaboration.

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Firstly, this partnership between the Social Justice and Art classes felt organic and positive. Grade 12s had the opportunity to mentor grade 9s, allowing for an interaction that wouldn’t be typical in high school. The Grade 12s began the class by each introducing themselves and stating (in a word or short phrase) what Orange Shirt Day means to them, demonstrating the significance of the activity in a way that allowed for individual interpretation while still addressing the objective of the project. The classes were then divided up in order to pair an even amount of Grade 12s with 9s. Grade 12s helped with braiding when necessary, and all were able to chat about the significance of the event together. By the end of just one session, the pile of bracelets was surprisingly large.

Secondly, the project engaged with and supported different types of literacies. The braided and beaded bracelets all hold meaning that cannot be “read” in the sense of reading a book, but can be understood in a cultural reading. Braids and beads carry extra significance in Indigenous societies, so the decision to create these bracelets for a reconciliation project was not unintentional.

Thirdly, the project was intended to benefit the entire school, not just the classes who were creating it. One of the First Nations Principles of Learning is that learning should not only support the self, but also the community, the family, the land, the spirits, and the ancestors. Social Justice 12 and Art 9 created a project that benefitted the entire school and paid respect to the living and dead members of residential schools and anyone else the schools affected. In wearing the bracelets, the message is also brought out into the greater community and opens up conversations about their meaning. Although I wasn’t at Reynolds on September 30th, on October 5th, the majority of people at the school (myself included) were still wearing their bracelets.

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Events like Orange Shirt Day seem to bring out the best in our school system. Students get to collaborate together doing work that really matters and that has immediate, visible effects. The interactions (and later, the outcomes) that I witnessed from this project made me hopeful about our future generations. I can’t wait to see more examples of projects like this one and witness more inclusions of Indigenous Learning Principles in our classrooms.


Takeaways:

(1) Consider collaborating with another classroom for a project. If you want your students to do an art project but don’t have the skills or resources, collaborate with an Art class. Talk to other teachers in your school to see who would be willing to collaborate, and work from there. Maybe a science and math class can collaborate to create bridges to measure strength. Maybe an English and Music class can collaborate to study lyrics as poetry. The options are endless.

(2) Create opportunities for Social Activism within your school. Research important days and ask your students for ideas about what to do to commemorate them. Follow through.

(3) When designing these projects, make sure students of all abilities can participate.